Spawn

By Mal -
5 out of 10
Usually, when I notice exposition in a film, it’s because the script is so poor as to not support any natural plot development. In Spawn, however, the exposition is very much a part of the film’s origin. Coming from a comic book background, where frequent use of such explicit narrative is commonplace, its direct translation to the cinema screen is unusual, but not necessarily something to mark it down.

Still, this didn’t rescue what was, for me, a pretty average movie. I thought it might be down to my lack of familiarity with the character, but then, V For Vendetta shone brightly in the same circumstances. Spawn was simply undistinguished.

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