7 out of 10 James McAvoy plays Wesley Gibson a wimpy, low level office worker who hates his soul sapping job (and in particular his overbearing boss), and has a girlfriend who is cheating on him with his best friend. Yes, his life truly sucks the big one. Then he meets the enigmatic Fox, ( Angelina Jolie ) who tells him that the father that had run out on him when he was a baby, was a great assasin and was murdered by a man who is now after Wesley. If you have seen Timur Bekmambetov's earlier efforts particularly Daywatch you will have had a little taste of the visual style of Wanted. It's a fast-paced movie that does not take itself at all seriously. At times it not only stretches the laws of physics but also of credibility. It's perhaps neither as clever or as cool as it thinks it is, but what it is however is great fun. As long as you are prepared to enter the spirit of a film (that was after all based on a graphic novel), then you should enjoy this... just don...
9 out of 10 There’s been a lot of hype surrounding this monster-on-the-rampage film, but I’m happy to say it’s actually worth it... mostly. Set in Manhattan, the entire film is presented as a recording of events captured on a local’s video camera. As a result, it’s shaky-cam-tastic for the entire duration, something which was enough to have me feeling nauseous by the time the credits rolled. Don’t let this put you off, however, as: I’m probably just being pathetic The camera-work really helps the believability Speaking of believability, that’s one of the film’s greatest strengths. As my cinema buddy noted on the way out, it was probably the most accurate rendition of panic we’ve ever seen. It’s tense and desperate from the moment the monster makes its presence felt right up to the final seconds of the film. Seriously impressive. It does let itself down on the odd occasion - in terms of people’s abilities ...
5 out of 10 On the face of it The Brothers Grimm is a perfect match for the dark surrealism of Terry Gilliam . However it fails to live up to its potential. The brothers (played by Matt Damon and Heath Ledger ) are travelling con-artists who arrive in a village with a real fairy tale curse. For a Fairy tale the cinematography is very grey and brown. There is little of the Gilliam imagination that we might have expected. Most surprising of all is that the special effects ranged from the sublime (blobby gingerbread man) to the downright awful. A scene where a CGI scarf was floating down a river was particularly derisible. At times it seems that the script is a vehicle for referencing yet another fairy tale rather than to tell the tale that the viewer is actually watching. This is a shame because when the movie does get going there are moments to enjoy.
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